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Literatur

• Aav, M. et. al. (eds) (2007), Embroidered Paradise - Central Asian Aav, M. et. al. (eds) (2007), Embroidered Paradise - Central Asian Embroideries from the Collection Tair A. Tairov, Helsinki: Designmuseo.
• Ahmedova, N. and Ahmedova, E. (2006), ‘Heritageas style’ in E. Rezvan (ed.), Oriental Dreams.Russian Avant-Garde and Silks ofBukhara.St. Petersburg: Kunstkamera.
• Bissonnette, A., Kaleidoscopic Dreamcoats: Central Asian Ikat Robes, Mull gallery: November 29, 2000 to April 28, 2002.
• Clark, R. (2007), Central Asian Ikats from the Raw Collection, London: V&A Publications.
• de Guise, L. (ed.) (2006), Abrbandi: Ikats of Central Asia,Malaysia: Islamic Arts Museum.
• Fakhretdinova, D.A. (1972), Dekorativno-prikladnoe iskusstvo Uzbekistana (Decorative and Applied Art of Uzbekistan), Tashkent: G. Gulyam.
• Fitz Gibbon, K. (2010), ‘The many lives of Ikat’ in D.C. Textile Museum (ed.), Colors of the Oasis: Central Asian Ikats, Washington, D.C.: Textile Museum.
• Fitz Gibbon, K. and Hale, A. (1997), Ikat: Splendid Silks of Central Asia - The Guido GoldmannCollection,London: Laurence King Publishing Ltd.
• Hassel, S., Reichert, U., and Schümann, C.W. (1998), Ikat. Mäntel und Behänge aus Zentralasien. Privatsammlung Said Motamed und Sammlung Deutsches Textilmuseum Krefeld. Krefeld: Deutsches Textilmuseum Krefeld.
• Hasson, R. (2004), IKAT. Kaleidoscope of Colors: Silk fabrics from central Asia. The Rau Collection London, Jerusalem: L.A. Mayer Museum for Islamic Art.
• Ifron, K. (1970), In the huts of artisans, Moscow: Sovetsky pisatel’.
• Interview with Rasul Mirzaakhmedov and Davlat Umaraliev, designers in hand-made silk weaving, Marghilan, 17 June, 2010.
• Jumaev, K. (2007), 99 IkatChapans: The Mehmet Cetinkaya Collection, Istanbul: Mehmet Cetinkaya Gallery – Nuans Ajans Ltd.
• Kalter, J. and Pavaloi, M. (eds.) (1995),Erben der Seidenstraße: Usbekistan (Uzbekistan: Heirs to the Silk Road), Stuttgart, London: Lindenmuseum, Edition Hans-Jörg Mayer.
• Klimburg, M. (1993), Ikat: Textile Art from the Silk Road/ Ikat: Textilkunst von der Seidenstrasse, Vienna: Kirdök.
• Krody, S. B. (2010), Colors of the Oasis: Central Asian Ikats, Washington: Textile Museum.
• Makhkamova, S. (1963), Uzbeksie abrovye tkani (Uzbek Abr Fabrics), Tashkent: Gosudarstvennoe izdatel’stvo khudozhestvennoi literatury.
• Makhkamova, S. (1983), ‘K istorii tkachestva Srednei Azii’ (On the history of Central Asian weaving), in L. Rempel (ed.), Artistic culture of Central Asia in the 9th-13th centuries, Tashkent: Izd-vo literatury I iskusstva im. Gafura Gulyama.
• Mentges, G. and Shamukhitdinova, L. (2013), Modernityof Tradition. Uzbek Textile Culture Today, Münster: Waxmann.
• Popova, L. et al. (eds.) (1997), Music for the Eyes: Textile from the Peoples of Central Asia, Antwerp: Luc Denys.
• Rahimov, R. (2006), ‘Bukhara-Petersburg: The Silk Road for the House of Romanovs (A historical and cultural portrait of the Kunstkamera collections)’ in E. Rezvan (ed.), Oriental dreams. Russian Avant-Garde and Silks of Bukhara, St. Petersburg: Kunstkamera.
• Rau, P. (1988) Ikats: Woven silks from Central Asia. The Rau Collection, United Kingdom: Blackwell.
• Sukhareva O. A. (1982), History of Central Asian costume: Samarkand (the second half of the XIX-early. XX c.), Moscow: Edition “Nauka”
• Tsareva, E. (2005), ‘Between the Amu Darya and the Syrdarya’, in: E. A. Rezvan (ed.), Oriental dreams: Russian Avant-garde and Silks of Bukhara, Saint-Petersburg: Kunstkamera.